Another of my recent Cinema4D renders. From my company web site: The Ion PGM™ Dx System is a reliable and robust in vitro diagnostic (IVD) next-generation sequencing (NGS) platform that is designed to deliver the proven performance and simplicity of the Ion Torrent™ PGM system, while empowering clinical laboratories with the flexibility to develop molecular
Now that’s it’s official, I can finally share some of the 3D work I’ve been producing for the last several months. Behold the S5! The ‘S’ is for Simplicity, Speed, Scalability… This amazing instrument has many applications. It has the potential to make the world a better place for all of us. I’m lucky to
What you see is a fairly accurate view of the server room at work. If you’re interested, here’s how I created this. Note that the method I use is just one way to accomplish this. There are “easier” methods, like rendering directly inside of SketchUp with any number of snap-in renderers, (I like TheaRender) but
Did you know that there are databases in the public domain with free 3D models of organic materials like DNA, enzymes and proteins? Accurate and highly detailed, these models can be downloaded from a number of sites and imported into most 3D packages, including my favorite – Cinema4D. I have no idea what I’m looking
I often don’t know exactly what I’m rendering or how it works or how it will be used. I certainly have never seen one of these things. I’ve heard it referred to as a “cartridge”, and that’s about all I know. I’m pretty sure the real cartridge shell is not transparent – I’ll bet it’s
I finally had the perfect excuse to try out Lightroom’s Tethered Capture. I’ve been anxious to try this since neighbor Steve Fossum used this method to photograph yours truly. This extremely simple rig made shooting the chip much easier than ever before. The ability to view the images at high resolution on-screen as I shot
It’s not only the knowledge of the HUNDREDS of eyeballs that will see this image on the cover of the extra-geeky Electrophoresis Journal cover that makes it satisfying. It’s also the fact that I get to use all of my graphics skills in one place to produce something this wild and whacky while at work.
I shot this on the floor in the hallway on a roll of white paper with my beloved FourSquare handheld overhead and a Nikkor 50mm 1.8 lens which I purchased for $95. (Ken Rockwell describes this incredible bargain as, “…among Nikon’s sharpest lenses ever“.) The LCD display and updated logo were added later with PhotoShop.
We’ve come a long way, Baby! What I find amazing about this group shot is that the cold weather kept a lot of people away. My guess is that there are at least 100 others that did not make it to the party. I’m going to need a taller ladder for the next shot! Many
While working on a visualization for a new lab space, out of curiosity, I decided to render the scene after dark, and was quite surprised by the results. The dramatic light provided almost entirely by a single omni-directional shadow-casting light somehow makes the scene look more real than it does with the lights on. It
Today I learned the best way to wrap a 2D graphic around a 3D object in Cinema4D. I also played a bit with instancing. Here is the result of today’s experimentation. I am so impressed with this renderer! You have to admit, the realism here is amazing – and I can make it better without