So many favorites from our photo shoot at Mission Bio. What a great group! Thanks to all of you.
Category: Work (page 1 of 21)
I’ve decided that the white background is my favorite for business head shots. This is mainly because they are so easy to produce consistently, but also because a pure white background is so versatile.
To create these, I use a simple two-light setup. First I place a 7-foot umbrella with diffuser behind the subject and, paying close attention to the camera histogram, set the flash so that the light from the umbrella is just slightly blown out. I place a smaller umbrella up and to the right of the subject – as close as possible. (I place it so close that it’s often visible in the shots, but that’s OK, it’s easy to remove it.) I find a willing assistant to hold a white or silver 5-in-1 reflector down and to the left. (A bit lower for the girls.) I shoot handheld, and very fast. Being so close to the subject, the flash units are on very low settings, so they recycle in a fraction of a second. I also use a smaller aperture (f8-f10) on the amazing 56mm Fuji lens. I do not want a shallow depth-of-focus in these shots. I want a clean, easy-to-mask image. If it’s even slightly soft at the back, this is much harder to do.
Post-processing is minimal. Often a simple tweak on the highlight setting in Lightroom turns the background to pure white. After a little cropping I can export an image with a pure white or even transparent background. Perfect!
A fun project for this special day.
From the e-mail sent to the whole company:
Finished with subtle touches from the impenetrable genius of industrial design guru Jim Pire, the new system’s speed will leave the competition in the dust.
Have I ever told you how much I love my job?
Twenty-five image bokeh panorama shot at the office today.
I’m learning a lot about the process of creating these. The 90mm lens I’m using seems to be a bit long and a bit slow. It’s not easy to get good coverage without taking a lot of shots. The depth of field is not shallow enough with the 2.0 lens. The background would be easier to work with if it was further out of focus. It also seems like more natural backgrounds – plants, trees, etc. would make things much easier due to their randomness.
More to come. Need to practice.
To really see the effect of this technique, you need to see the image at its full-resolution.